Temario Oposiciones INGLÉS PARA MUSEOLOGÍA. 1ª ED. MADRID: ETD, 2009.

INDICE

ÍNDICE

INTRODUCCIÓN.

RESUMEN DE LA NORMA UNE 50-128-94. 3.

TEXTOS:

TEXTO 1. ICOM recommendations concerning the return
of works of art belonging to Jewish owners.

TEXTO 2. CONSERVATION Department overview.

TEXTO 3. CRESSEY, Pamela J. Discarded pottery holds
clue to slave life.

TEXTO 4. MASON, Richard O. What is an information
professional?.

TEXTO 5. SILVER, Kenneth E. Past imperfect.

TEXTO 6. The ILLICIT traffic of cultural property
throughout the World.

TEXTO 7. MORLEY, John. King George IV and the
building of the Royal Pavilion.

TEXTO 8. GREENHILL, Eilean Hooper. Programme
design and evaluation.

TEXTO 9. MEYER, Karl E. Museum ethics: a report to the
American Association of Museums by its committee on
Ethics.

TEXTO 10. KARP, Cary. ICOM and the Internet.

TEXTO 11. The INTERNATIONAL committees of ICOM.

TEXTO 12. MEARS, Kenneth. The banqueting Plate.

TEXTO 13. The PORT of Sinop.

TEXTO 14. BLY, John. Fakes, alterations, improvements.

TEXTO 15. NIJHOFF, Michiel. Museum libraries: from
hidden treasures to treasured information centres.

TEXTO 16. HISTORY of Le Grand Louvre.

TEXTO 17. HERMITAGE History

TEXTO 18. Centre d’Arqueologia Subaquàtica de
Catalunya. Part of the Archaeological Museum of
Catalonia, Spain.

TEXTO 19. MacLEOD, Suzane, Are the new technologies
reshaping the Museum?.

TEXTO 20. JONES, J.I. Masks and Carvings – West
Africa. Religious Beliefs of West Africa.

TEXTO 21. PLATT, Tristan. Museums, tourism and the
devil at Burlington Gardens.

TEXTO 22. BANKS, Paul: Overview of alternative Spaces
Options for Libraries and Archives.

TEXTO 23. GELL, Alfred. “Paradise” at the British
Museum.

TEXTO 24. LITCHFIELD, Frederick. Illustrated History
of Furniture. From the Earliest to the Present Time.

TEXTO 25. ERLANGER, Steven. Toward a more userfiendly
Israel Museum.

TRADUCCIONES:

TEXTO 1. ICOM recommendations concerning the return
of works of art belonging to Jewish owners.

TEXTO 2. CONSERVATION Department overview.

TEXTO 3. CRESSEY, Pamela J. Discarded pottery holds
clue to slave life.

TEXTO 4. MASON, Richard O. What is an information
professional?.

TEXTO 5. SILVER, Kenneth E. Past imperfect.

TEXTO 6. The ILLICIT traffic of cultural property
throughout the World.

TEXTO 7. MORLEY, John. King George IV and the
building of the Royal Pavilion.

TEXTO 8. GREENHILL, Eilean Hooper. Programme
design and evaluation.

TEXTO 9. MEYER, Karl E. Museum ethics: a report to the
American Association of Museums by its committee on
Ethics.

TEXTO 10. KARP, Cary. ICOM and the Internet.

TEXTO 11. The INTERNATIONAL committees of ICOM.

TEXTO 12. MEARS, Kenneth. The banqueting plate.

TEXTO 13. The PORT of Sinop.

TEXTO 14. BLY, John. Fakes, alterations, improvements.

TEXTO 15. NIJHOFF, Michiel. Museum libraries: from
hidden treasures to treasured information centres.

TEXTO 16. HISTORY of Le Grand Louvre.

TEXTO 17. HERMITAGE History.

TEXTO 18. Centre d’Arqueologia Subaquàtica de
Catalunya. Part of the Archaeological Museum of
Catalonia, Spain.

TEXTO 19. MacLEOD, Suzane, Are the new technologies
reshaping the Museum?.

TEXTO 20. JONES, J.I. Masks and Carvings – West
Africa. Religious Beliefs of West Africa.

TEXTO 21. PLATT, Tristan. Museums, tourism and the
devil at Burlington Gardens.

TEXTO 22. BANKS, Paul: Overview of alternative Spaces
Options for Libraries and Archives.

TEXTO 23. GELL, Alfred. “Paradise” at the British
Museum.

TEXTO 24. LITCHFIELD, Frederick. Illustrated History
of Furniture. From the Earliest to the Present Time.

TEXTO 25. ERLANGER, Steven. Toward a more userfiendly
Israel Museum.

GLOSARIO